No Foolin' New 5-star Review for A Body To Bones

No fooling. April 1, 2015 brought forth a Five Star review for Donan Berg's A Body To Bones, First Skeleton Series Mystery.

As published on Amazon.com by Karsun:

In-Depth Characters and Background

"A Body To Bones by Donan Berg is a book that is the first Skeleton Series Mystery and it immediately drew me in.

"The book is about an old secret, one that won't remain buried and threatens to not only involve Sarah's family but she is the target of a killer.

"I loved this from the start, which was set in the past. Immediately it captured my interest and made me want to keep reading - from prologue to the end. I enjoy mysteries and this was not only written well but had depth and imagination without becoming too unrealistic. Instead, it was a story that made me want to keep tapping away at my Kindle in order to get to the next chapter.

"If you love a good mystery and characters that are rich in depth and background, this is definitely the book you'll want to read."

Four Donan Berg Writing Entries Win

Author Donan Berg’s three winning stories dominated the 2014 short/long series romance category at the 9^th Annual Dixie Kane Memorial Writing Contest. Coordinator Nicholas Genovese of the sponsoring RWA SOLA Chapter announced the results today.

Author Berg’s entries were “Twice Tempted,” second place; “Ashley - A Lake Series Romance,” third place; and “Love in Lilac,” honorable mention.

For inspirational novels, Author Berg’s “Rosemary’s Awakening” won third place.

In “Twice Tempted,” shrewd businesswoman Cherry Everex inherits a New Orleans hockey club. An acrimonious annulment from the team’s star forward, Shane Hull, is nullified by a state law change. It wrecks havoc with their personal relationship and clashes with their divergent ideas for whether to sell  the hockey team.

“Ashley - A Lake Series Romance.” Ashley Ulrich saves Peter Edwards from drowning and they fight a ruthless real estate developer for love and money.

“Love in Lilac.” Connie Nunnley fights to save her dementia-inflicted grandfather’s newspaper from bankruptcy. She falls in love with new advertiser, Lucas Knowles, whose business interests conflict with Connie’s.

“Rosemary’s Awakening” is a fictional account of a courageous young Iowa woman’s battle to regain life and love after a competitive horse race mishap confines her to a wheelchair.

“I’m honored to be in a great circle of talented writers,” said Berg. “The Dixie Kane competition annually ranks as one of the premier United States writing contests. To be recognized for a third year in 2014 is a great thrill.”

Author Donan Berg has five murder/mystery novels, a stand-alone short story and a short story collection in print and electronic formats, published by DOTDON Books, Moline, IL. He previously cracked the Dixie Kane winner’s circle in 2010 and 2013.

CASI, Davenport, IA, Book Club selected his novel, Adolph’s Gold, a murder/mystery police procedural, as its October 2014 selection.

His 2009 debut novel, A Body To Bones, debuted at number 27 in the top 50 most popular books, all genres, at AuthorsDen.com, an online literary community visited by a million plus authors and readers every month. A year later on September 19, 2010, his novel held its top 50 ranking as the 32nd most popular. His novels are in libraries nationwide, including Davenport, Iowa City, Moline, Rock Falls, and Rock Island. A Writer’s Digest judge wrote: “Donan Berg writes a nice, clear, consistently readable prose, and he manages to create a winning character in Sarah Hamilton.”

Following A Body To Bones, he’s authored The Bones Dance Foxtrot (2009), Bubbling Conflict and Other Short Stories (2010), Abbey Burning Love (2011, E-book only), Baby Bones (2012), Amanda (2014) and Adolph’s Gold (2014).

The Dixie Kane Memorial Contest is named for the late New Orleans writer Linda Kay West, who wrote under the pen name Dixie Kane. The sponsoring New Orleans chapter is a non-profit literary organization dedicated to the craft and business of writing book length fiction with a focus on romance.

Happy Veterans Day

To all who served in the United States military and those who supported them: Happy Veterans Day.


Words are simple; actions superior. May the fruits of your dreams and the magnitude of your sacrifice endure for all ages.

Donan Berg's Amanda, Read Free

For a limited time, read Donan Berg's short story entitled Amanda as a free download.


To do so, go to www.smashwords.com/extreader/read/405595 and at checkout
enter the code RV42U. Your price then will be $0.00.


Notice, this code RV42U has expired. Thank you to all who downloaded.
The free download option with a new code may return.


If you go to the above website link, a free download sample is still available.



This site is the only one offering the free download. And again, it's for a limited
time.

Seven Triggers to Writing Success

All writers desire success. I wouldn't say all unless I included myself. The difficulty is a challenge, but also an opportunity to understand and put into practice seven mental abilities that will get you there.

Why is this important to your next great novel?

While it might not be the end all to the fictional story, it should be to your entire personal life of which writing is such a fundamental part. Let's trigger your success. Here are seven.

1. Passion. All truly successful people have a driving force within them that sets them apart from others. It may not be going an extra mile in reality, but the metaphor sets forth the principle. It is that extra energy that gives you the fuel to reach your true potential. It'll be with you 24/7. It will never subside. Oh, it may seem to ebb like the tide, nevertheless, like the tide you come back as strong as ever. Your only goal is to achieve and this goal never leaves you.

2.  Belief.  Virgil is quoted to have said: "They can because they think they can." You can only do that which you believe you can do. If its a particular annual income goal or number of books sold, the belief in that goal must exist or you will never accomplish it. Your limits are self-imposed. Have a belief in what you can achieve or you will never climb the mountain and reach the summit. "Man is what he believes." -Anton Chekhov.

3. Strategy. A strategy is your game plan of life. In a novel you might label it a plot. The strategy is the road map you use to accomplish your goals, ambitions, and desires. While you must believe, there is a need to incorporate a navigation that leads you to success. Sure, there might be detours, but you'll never let a setback take away your passion and belief. You will find the shortest distance between where you are now and your ultimate goal.

4. Clarity of Values. You must determine what is of most value  to you. For some its patriotism, love of family, excellence in what you do, ownership of your life, and tolerance to your fellow man. This list is not exhaustive. You must select the moral, ethical, and fundamental core values that will guide your life. How does it fit in with the above? Without a clear system of values, you will most likely find it difficult to believe in something exhibiting a true passion. Humans typically don't believe in things they don't value. If there is no consistency in belief and value, passion will come across as a veneer not to be given credence.

5.  Energy.  Without physical vitality to take action, lack of success is the predicted outcome. This doesn't necessarily mean a sculptured body built by a gym. It means a physical, spiritual, and mental energy that allows, actually compels, you to take the first step and accomplish the most with what we have to work with. At the least it means eating nutritious food to build body strength, obtaining enough sleep to replenish our bodily systems, and not stressing over every little incident in your life. Remember, you're exercising a passion, not living a detour.

6.  Bonding Power. You will bill rapport with other people. You will use the understanding that different people see the world differently and not demean or degrade others. You will use this ability to communicate with others while not sacrificing or being deceitful about your life's values.

7.  Communication. You will take charge of your own mind. "There is only one Success - to be able to spend your life in your own way." -Christopher Morley.  You will not shy from your passion, belief, or values. You will believe that any sale of your writing should leave the purchaser with the willingness to purchase your next work. That means you'll not mislead in your one effort. You will be honest and clear in what you communicate and delve to understand, or ask questions if you're not sure, what the other person is saying.

Remember, as one wise sage once said, success if what you make it. It's out there, embrace it.

Merry Christmas, Happy Holidays, and Happy New Year

From all here, may you and your loved ones enjoy a Happy 2013 Christmas Holiday in peace and gratitude, no matter how or for what reason celebrated.

May your 2014 be extra special as well. Happy New Year.

Coming soon
Expect a new blog post on or about January 2 exposing the
seven triggers for success.

Free Christmas Gifts

Why shop? Oh, I know you must. It's tradition. There are loved ones you care for. They care for you. But during this busy season take a moment to ponder that you can put free gifts on your Christmas list and, in the spirit of recycling, keep giving each and every day, week, month, and year.

While others may think of many more, for this Christmas season I've compiled the following seven free gifts. And, for those of you who are not conversant in the Bible, there are added references you must check out to fulfill your experience. Let's start:

1.  The gift of LISTENING. This gift is especially prized by those individuals you know who live alone. Offer to listen face-to-face. No interrupting, no daydreaming, no pre-planning your responses. Just sit or stand there and listen with, not only, your ears but your accepting heart. (Proverbs 18:13)

2.  The gift of AFFECTIONS. If not listening, be generous to others with your hugs, kisses, and gentle squeezes of the hand. Let these tiny, often not received, actions of gentle affection be the true indicators of the love that dwells inside you. (Proverbs 15:30)

3.  The gift of a NOTE. No, not musical, but that would be okay, too. This gift is of written words on a piece of paper and could only say three words: "I love you."  If so inspired, be Shakespearean and compose a sonnet that expresses love and more. Mail or, better yet, hand-deliver your heart-felt creative expression. (Proverbs 15:30)

4.  The gift of LAUGHTER. Remember that cartoon that moved you to laugh. Cut it out; share it. Spend time and money to find a humorous card. You'll share yourself and generate a common bond that could say to the recipient that there's an uplifting side to life. (Proverbs 17:22)

5.  The gift of a COMPLIMENT. Be honest and say what comes to mind. "You look good in that outfit." "Great meal, honey." "I'm happy to see you in church." (Proverbs 15:33)

6.  The gift of a FAVOR. Help with any task. Clear the dinner dishes. Open a door. Offer to run an errand for a shut-in or an at-home recent hospital patient. There is no requirement that you know the person. Be anonymous, it's okay; but personal contact is best. (2 Samuel 2:6)

7.  The gift of a GAME. Offer a child, a shut-in, a senior, or a loved one an opportunity to play their favorite game. Be sincere, but even if you lose, you'll be a winner. For this is a great opportunity for everyone to be a winner when quality TIME is shared. (Proverbs 21:21)

Please enjoy. It's not a simple request. Experience says you, whether giver and receiver, will find a glow of happiness within. And, isn't that the Christmas miracle? 

(Please note:  Voting closed January 3, 2014. Thank you all who participated.)
If you've a mind, you can vote, no obligation, for the author's book cover during the December Cover Wars. There'll be no blood spilled, nor spears thrown, but stealth and two clicks are required. 1) Click on the following: http://masqueradecrew.blogspot.com/2013/12/17-covers-to-choose-from-in-Decembers.html , and 2) Click on the Cover Wars logo. (Ignore warning that page does not exist. It was likely put there to dissuade errant reindeer and mischievous elves.)

These two blogs are not related. Donan Berg in 2012 wrote them a guest post entitled "Q is for Quack." Other than to say it was a writing tip, it's hard to explain without repeating the entire
article. Taking a gander at 17 book covers in one easy look could be fun.

Happy Thanksgiving

To all who celebrate Thanksgiving, we wish you a glorious family holiday with bountiful blessings coming your way in return for the thanks expressed and the helping hand you've given to others.

Description: A Writer's Challenge

Every reader’s real world visual perception has a deeper nuance and far exceeds what, with absolute certainty, the written word, even with razor-sharp precision, can create. Whether an author attempts to create a physical setting out of whole cloth or describe one that exists in nature, two challenges exist. How can you pinpoint everything to the nth degree and how do you bridge the gap existing between the totality of what you wish to convey and still maintain the interest of today’s reader? 

Let’s try an example. Dame Agatha Christie sets up her classic play, Ten Little Indians, with initial stage directions that are here reproduced with one minor deletion:

“The scene is the living room of a house on Indian Island. It is a very modern room, and luxuriously furnished. It is a bright sunlight evening. Nearly the whole of the back of the stage is a window looking directly out to sea. French doors are open in center to balcony. It should give the impression of being like the deck of a liner, almost overhanging the sea. There is a chair out on the balcony and the main approach to the house is presumed to be up steps on the left side of the balcony. . . French doors are wide so that a good area of the balcony is shown.

“In the left wall, near windows, is a door to dining room. Downstage left is a door communicating with hall. Pull cord below this door.

“Up right is a door to study. Middle stage right is fireplace. Over it hangs the reproduction of the “Ten Little Indians” nursery rhyme. On the mantelpiece are a group of ten china Indian figures. They are not spaced out, but clustered so that the exact number is not easily seen.

“Center are two sofas with space between. Chair and small table up left. Club chair with tabouret right and above it, down left, where there is also a bookcase. There is a window seat up right and cocktail cabinet below mantelpiece. Tabouret down right. Before fireplace is a big white bearskin rug with a bear’s head. There is an armchair and tabouret right center. A square ottoman at lower end of the fireplace. A settee with table left of it in front of window at the back.”

Can you imagine this scene? On your inner visual screen do you imagine colors? What colors? The only color actually mentioned is white in describing the bearskin rug. If you can see the sky through the balcony, would it be a solid blue or dotted with white, puffy clouds? Would this expanse be flat or stretch to the horizon? If either, does that affect the colors you perceive? How would it affect the reader? 

We are told the living room is very modern and luxuriously furnished. Would those words narrow your perception of color? Perhaps. But we aren’t given a date. Many colors can be perceived as modern. Some colors such as those replicating the patina of oak and mahogany are dark and have been associated with luxury for decades. Would they also be modern? Or, is there an unwanted tension created between the dark colors of wood and, say, the sparkle of gold or silver? How about visual intensity? Is one contrasting color concentrated in a small space to become a focal point?

The mantelpiece is mentioned as an important room element. Should it be noteworthy by being crafted from a light-colored stone or gilded with gold? 

Whatever the case, the discussion so far should kindle the thought that there can be no right or wrong answer in a vacuum. The purpose of room color description is most often useful only to create a mood. Dark colors conjure up gloom and/or depression and, while there are no characters mentioned in the stage directions, a dark-colored room makes it easier for a mystery’s burglar to slink into the background. Bright pastel colors could be the trigger to an older person remembering where they grew up as a child, e.g., a red lampshade, a green throw pillow on either or both sofas.

Color, important in itself, can also define shapes. Are the purple velvet curtains a vertical rectangle or visually impressive for their scalloped horizontal line at the top of the window(s) they adorn? We can probably inwardly visualize the shape and size of a bearskin rug. A fireplace or its mantel presents a greater challenge. They can vary greatly in size and design, although visually within limits. Determining what the word “tabouret” means is decidedly more difficult. There is an inherent ambiguity in the word for it can mean either a low seat without a back or arms or a small portable stand or cabinet. Since the word is used multiple times, a mixture of visualized furniture is definitely possible. Why confuse the reader? There is no good reason to. The reader would be busy enough trying to visual the room without generating more confusion, especially since we haven’t added any character yet.

And, even if one is confident in describing the room, how should it be done—all at once, or piecemeal in narrative between character dialogue, in character dialogue, or silently within the thoughts of a character? It’s a big decision. Too much narrative and you lose the reader experiencing boredom with a lack of action. Too little description and the reader will be lost for not being grounded in the context of the story.

While it would be an unending task to try to pinpoint what should be the final result of every written story, the point here is that each author needs to examine his or her setting description with an attempt to determine what is being projected into and absorbed by the reader’s mind. If the projected image is not the desired one, a different perspective is likely the best first choice for finding the solution.

Forget Flattery; Be Yourself

Imitation may be flattery and many a budding writer envies Herman Melville, William Faulkner, or fill in the blank ________ without a complete understanding of what made that writer's prose great. Far be it from me to invade the minds of great writers, but their writings give wannabe and striving writers more than enough to think about.

(While I think, you, the reader, should know that this author, me, Donan Berg, has just been informed that he landed three times in the 2013 winner's circle at the 8th Annual Dixie Kane Memorial Writing Contest. When the official results are announced, look for them here.)

Let's start with Mr. Melville. A previous blog teased you with his opening line of "Call me ______." If you didn't correctly fill in the blank, no matter. Beginning writers have often tried, unsuccessfully, to imitate the style or voice of past writing masters. What is not grasped is that the greats changed over time. Or, more accurately, they adapted their voice or style to the nature of their story.

Mr. Melville wrote a novel entitled Omoo, which often ends up as a crossword answer. Those crossword geeks love words with multiple vowels. Anyway, the story starts very simply:

"It was the middle of a bright tropical afternoon that we made good our escape from the bay. The vessel we sought lay with her main-topsail aback about a league from the land and was the only object that broke the broad expanse of the ocean."

Please note, no big dictionary words. Yet, there are questions. Escape from what? Or whom? Why the referenced vessel? If this was a bay, why only one vessel? Are we near a town or marooned? The hook for reading more is deeply planted.

Later in his writing life, Melville began his classic Moby-Dick as follows: (You can repeat out loud this often-quoted verbiage.)

"Call me Ishmael. Some years ago-never mind how long precisely-having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world."

Had Melville changed? Some would say yes. But it's more than that. It's voice. Moby-Dick is arguably more authoritative in style and voice. Omoo didn't require the Moby-Dick voice, at least, Mr. Melville didn't believe so.

I attended a reading by Alice Sebold a few years ago and she read the first chapter of her well-received and engaging novel entitled The Lovely Bones. It begins:

"My name was Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6, 1973."

Does that harken back? Maybe yes, but not as straightforward as J.D. Salinger's A Catcher in the Rye reference to Charles Dickens and David Copperfield.

My goal is not to flog masterful writing, but to point out different stories require serious thinking to match the character with the voice presented.

William Faulkner developed his style in service to his stories as other great writers have done. Compare his daring point of view and tense that serves the Bundrens well in As I Lay Dying with the simpler, more straightforward style in his The Reivers.

However you try to style your story, the goal is to not overwhelm your reader and bury the story in an avalanche of stylistic voice copied from a person that doesn't inhabit your skin. If the voice becomes the end all, all your characters will begin to sound alike, spouting diction so similar the reader glosses over the points you wish to make. Sure, I can envision an urban street corner where everyone begins a sentence with "yo dude." Would that enhance my story or distract? Probably distract.

If you give high tension to every character, none will stand out as major or memorable. You may think of all your friends as major influences in your life, but aren't they all slightly, maybe even markedly, different. Treating them as different is not a snub. They're not robots who attended the same Star Wars training school. Come to think of it. Is R2-D2 the same as Hal the computer or that other annoying robot. I think you know the one I'm referring to. No, it's not named Ishmael or Salmon. Think of beginning with the letter C.

The main point is to be yourself. There's nothing wrong with the following in the right circumstances:

"Oh no," the pizza man shouted. "He's been fighting wid his old lady. I ain't gonna get no tip outta this pie."

Nor the following:

"Don't call me Jacob."

Think of yourself, your story. Now, go to it.

Messing with The Muse

Many a quote has spiraled into the conscious. More so from others.

Thus, while the journey is long, provisions sparse, inspiration may abound around life's next corner.

Thus, this post brings to light quotes from the not-to-distant past, not often repeated. Times may, however, change. All are penned from the mind of this author.

Seasons of life repaint age's glory.

Earned feats dance to the melody of life.

Like a joyful melody, charity supports every kindness.

Life's harmony is a symphony of friends.

Pack you life's case with wisdom, love, hope, and charity.
All will fit.

Life free from strain doesn't signal gain.

Happiness is fleeting; standing still won't reach it.

Sweet memories never sever today from unfinished goals.

(And what thought generated this last one is unknown.)

If old walls could talk, you'd probably get plastered.

(That's the lath. Enjoy the day forever more.)

Recipe: Irish Soda Bread

When the green-green grass of home appears in March, it's time to check that collection of time-tested family recipes fit for the season. That means soda bread. There are, it seems, as many as spirits in Ireland. (On purpose, the definition of spirits is up to you.)

Heat up your oven to 375 degrees. Here goes:

Irish Soda Bread (Two loaves)

6 cups all-purpose flour (3 white and 3 wheat here. Or 6 white if you prefer.)
2 teaspoons baking soda
2 teaspoons baking powder
3 tablespoons cornstarch
2 teaspoons sugar
1 teaspoon salt
2 1/2 cups buttermilk

(For those who want an option, add a handful of raisins. They're not in the recipe proper for some 19th Century folks used the term "raisins" in a less-than-complimentary way.)

Add all dry ingredients in a large bowl and mix well. If your mother said: "toss, buttermilk on the side" that works, too. Grab a wooden spoon, if not already in hand, pour all buttermilk into the large bowl, and stir. In no time you'll have a soft dough. Let it be rough at the edges. Tumble dough onto smooth surface, like a counter. Knead, counting thousand one, etc, until you reach sixty to one hundred. This kneading designed to make you feel like a baker, using flour-covered hands, and to evenly moisten dry ingredients with buttermilk.

Divide dough in half, round each portion, and, with hand, flatten top slightly.

Place each loaf on ungreased baking sheet and sprinkle flour on top. Not too much. And, oh my goodness, don't use this step as means to dust-off your hands. Pinch a wee dab of flour from the bag.

By the handle only, grab a sharp knife and make the sign of the Cross with slashes on the top of each loaf.

Allow the loaves to rest for ten minutes. This is the juncture in the recipe where the baker can take a wee nip for the hard part is over, if there's a timer at hand.

Bake in the 375 degree oven for forty (40) minutes. Best to use center rack position. Since ovens vary, the loaves are done when golden brown.

Cool on racks. Enjoy. Happy St. Patrick's Day.

Novel, A Body To Bones by Author Donan Berg