Showing posts with label Novel. Show all posts
Showing posts with label Novel. Show all posts

Friday, September 1, 2023

All's Forgiven, a novel, available now

 Author Donan Berg's latest novel, All's Forgiven, in ebook

format is available at Amazon.com and at Smashwords.com 

Official paperback release on Amazon.com will be October 2, 2023.



All’s Forgiven is an inspired family drama where thirty-two-year-old Jenny Olsen’s life spirals into chaos. Jenny’s injured in a hit-and-run car accident that kills her young niece. Thieves kidnap her mother and demand a ransom. Romance teases Jenny’s heart as she struggles with an injured foot, engages in spats with her sister, and, after a next-door theft, investigates strange goings-on at her uncle’s bookstore where she works.


Wednesday, July 7, 2021

Find the Girl, A Fantasy Novel wins Gold Award

 Find the Girl, A Fantasy Novel

Wins Literary Titan Gold Award

Just announced:  Find the Girl, A Fantasy Novel, has won the July 2021 Literary Titan Gold Award.

(Note, a prior blog post presented their June 25 five-star book review of Find the Girl, A Fantasy Novel.)

Literary Titan bestows its Gold Award on books found to be perfect in delivery of original content, meticulous development of unique characters in an organic and striking setting with an innovative plot that supports a fresh theme with words transformed into beautifully written prose.

Author Donan Berg was quoted as saying he was humbled and honored to be recognized by an organization of professional editors, writers, and professors with a passion for the written word.



 



Wednesday, March 29, 2017

Alexa's Gold Arrives April 11, 2017

Author Donan Berg, 2016 Feathered Quill Romance Gold Award winner, releases his latest romance thriller on April 11, 2017.

The new novel is entitled:


Alexa’s Gold

Mystery, Romance, Thrills

 Fall in love with Alexa’s grit. She has it all: pluck, courage, stamina, and the endless farmyard gravel she waits to inherit from her Grandma. Yes, Grandpa’s buried gold coins are hers, if? Multiple BIG IFs. If she sleuths Grandma’s recipe clue. If she outwits those who would steal it. If Grandma’s lawyer fights off her mother’s will challenge.

 As a Chicago probation officer, Alexa witnesses crime firsthand. Her goal is simple: she doesn’t wish to be the lightning rod that attracts harm to her two-year-old son Samuel.

 America’s Heartland poses her biggest risk. Who does she trust? Is she safe? Will romantic love find her? And blossom?

Alexa’s Gold spins an elaborate web of unsuspected twists and turns sprung with gusto.



About the Author




Donan Berg intrigues readers with characters who battle everyday concerns to become truly heroic. He writes an addictive antidote prescription to the blues. His life’s journey has been as a journalist, corporate executive, and lawyer living in America’s heartland with roots in his native Ireland. In 2016 he won the Feathered Quill First Place Gold Award for Romance.



E-book, multiple formats, April 11, 2017 at  www.smashwords.com/books/view/713346
or at major book retailers.

Tuesday, February 16, 2016

Donan Berg's One Paper Heart Wins Gold



Donan Berg, author of mystery novels earning 5-star ratings, topped all 2016 Featheredquill.com romance category entries with his debut contemporary romance novel entitled One Paper Heart.

The February 2016 Featheredquill.com  Gold Award/1st Place winner announcement list can found at its website.

An excerpt of One Paper Heart appeared here in an earlier blog post. For a larger free sample click on the following link: One Paper Heart free sample .

Click here to order E-book One Paper Heart E-book $2.99

Click here to order trade paperback One Paper Heart Paperback $13.00

Wednesday, January 6, 2016

Ten Book Club Discussion Questions

Adolph’s Gold by Donan Berg

1.  What conflicts protagonist Adolph Anderson other than the fact he doesn’t clip a gold detective shield to his belt?

2.  Was Chief Ron Howard right to pair Adolph and Luann? Was there ever any doubt that Adolph would achieve his gold shield?

3.  Did Adolph follow correct police investigative procedure or fly-by-the-seat-of-his-pants?
Does it matter? If not to Adolph, to reality’s criminal justice system?

4.  Adolph finds scraps of poetry, or what ascribes to be poetry. What do they foreshadow?
If someone said it was an author’s trick to advance the story’s plot or to generate artificial suspense, would you agree or disagree?  What other foretelling is there?

5.  Did the locale add significance to the story?

6.  There is a multitude of secondary characters. Are all necessary? Did they distract or become vital to understanding Adolph or his gold shield quest? How important is Officer Finnegan? Rebecca? Dean Wainright? Lt. “Bulldog” Hunter?

7.  Is Adolph’s family important to understanding all sides of Adolph? What significance is his relationship to his wife, his daughter? Does Adolph’s interaction indicate he’s more concerned about his family’s well-being or that Adolph would act as he does for any individual in peril?

8.  Does any character name remind you of an earlier Donan Berg mystery?

9.  Is there a fear, an experience or a contemporaneous event that motivates Adolph to alter or confirm how he reacts the way he does? More than one?

10. Is it important to characterize the novel as a police procedural? Would it fit or cross to other genres? Mystery? Thriller? Literary? Character or family study?

Monday, June 3, 2013

The First Line - Getting It Write

Over time, novel opening lines have been there to inspire parody, haunt the memory, or, and this is their critical importance, no matter how or by what technique, the reader must read the next line. And then the next until that most desired line of all - the concluding one. You might have favorite opening lines or know the classics. If you have the urge to write, you probably do.

J.D. Salinger in Catcher in the Rye relied on Charles Dickens and David Copperfield. Chris Cleave in Incendiary begins with: "Dear Osama they want you dead or alive so the terror will stop." Janet Evanovich starts with a different tone in One for the Money. She writes: "There are some men who enter a woman's life and screw it up for ever."

And no, Herman Melville hasn't been forgotten. You can fill in the blank. "They call me _______."

Writers and readers have a convergence, they both must start at the same words. So what kind of advice would it be to advise to start at the beginning? Well, it's true. It's necessary. The sticky point is: is the start enticing?

It's been claimed that one Montana writer spent eight years working on his novel's opening line. While the truth may not be known, there's one truth that's inescapable. Once the line is written for the last time, it's there for history. A daunting challenge, for sure.

Rather than go off on the theoretical, I've decided to set forth the opening lines currently topping the page of several works in progress. There's no rule that says an opening line can't be created by more than one person, although cartoonists have been having fun with committee creations for decades.

There's no right or wrong dream to where the words point, so enjoy. (I've substituted initials for character names. If your opening line wants to use initials for a character, go for it.)

1.  "Standing motionless, A.G. counted the day as both zero and one."

2.  "Chocolate smelled sweet, death did not."

3.  "E. feared that, if she looked, it would still be there."

4.  "Huffing and puffing, G.K. welcomed fatigue to punish his lack of imagination."

5.  "To counteract her chest-tightening sadness, A.H. squeezed both hands gripping her
       Ford F-150 steering wheel until her fingers ached and the depression between her
       raised knuckles mimicked the ruts in the rural road leading to Grandma's farm."

6.  "'Don't need help,' R.K., in the Angel Springs, Louisiana, Bayou Downs barn,
       admonished Uncle Joe."

7.  "Passersby would believe J.O.'s eyes gazed aimlessly past bobbing shrimp boats to
      the Gulf of Mexico horizon."

8.  "A. F. grieved the loss of two mothers."

An intriguing exercise, should you wish to do it, would be to write the second sentence to each of the above. If you do, you're on your way to completing your story. And, that's the hidden point of writing an opening line. It gets you started.

Saturday, May 4, 2013

Writing Contests: "A" or "E"

In specific reading genres writing contests abound. For the budding author the question may boil down to whether or not entering a specific contest is worthwhile or desireable. For this post that underlies the title: Writing Contests: "A" or "E," which has nothing to do with a grading system.

The "A" and "E" are vowel choices to go with the three consonants "P R _ Y."

Thus, with regard to writing contests are you faced with the prospect of  wanting or having to "pray" for a winning entry, or are you the "prey" for the contest's sponsors?

It's no doubt that contests try to sugar coat the benefits of entering. It's almost like the hoopla that surrounds million dollar giveaways. While the giveaways say you don't have to order to be a winner, that may be true for the initial contest, but, if you order, don't you keep receiving entries for future contests that a non-ordering person might not receive.

There are many writing contests. Romance Writers of America (RWA) sponsor two well-publicized contests, one for published works and the second for unpublished manuscripts. Mystery Writers of America sponsor awards that are primarily focused on already published works.  Literary magazines such as Nimrod and crazyhorse (Lower case is title of publication.) award prizes to unpublished short fiction. The difference the latter two have is that payment of the entry fee gives the entrant copies of the respective literary publications, at least for a year.

Paying a contest entry fee that comes with a subscription does seem more than fair. It provides the entrant with knowledge of and the ability to read and dissect the winning entries. And, intellectually compare the winners with one's personal entry without potential embarrassment.

Entering an unpublished manuscript to other venues brings forth other issues. If you've written a romance novel and don't wish to enter the national RWA contest because you believe it is not so much an organization as it is a company trying to make a profit, there are multiple romance chapters within the United States that run annual contests to make money. Yes, they may not say so explicitly, but ask the RWA whether or not they encourage chapters to run contests to support themselves and their websites and keep member dues low. In a moment of candor, the truth will come out. There is no doubt the RWA encourages chapters to run contests for entries are often given a discount for being an RWA member and some chapters mandate RWA membership for entries to be acceptable. Thus, the RWA has its own self-interest at heart.

But, whether or not that is so, what impact does this all have on the entrant deciding whether or not to enter an unpublished manuscript? The following could apply to any organization wishing to charge entry fees for unpublished manuscripts.

The chapters, populated by unpaid volunteers deserving credit for following their passion, run and obtain the judges for the unpublished manuscripts. The judges, even in a blind contest, may or may not be industry qualified. If you read the fine print, the contests say that the judges are "trained" and/or "published." Being either is not the sine qua non for possessing the requisite innate quality or acquired qualifications to judge writing or storytelling. From personal experience, after receiving the critique of judges the suggestions were implemented and the stories submitted the next year with the judge's changes. The score on one was lower and the comment was made that the writer seemed to have English as a second language. The other scores were no higher and the writing criticized for craftsmanship that had passed mustard the prior year. I took advantage of sending word of this to the judges (unidentified to me) via the contest coordinator. Guess what happened the next year?

From another contest I got scribbled comments from a judge willing to at least be honest when he or she said that he or she didn't like to read the category of the entry then being called upon to judge. Wow, you might say. If your first thought is how does this judge know what is of quality in this genre if they don't read it, welcome to the club that now has at least two members.

The preceding comment brings to light what should be obvious. The judges, being within the same chapter as the contest, know each other and are, more than likely, in the same critique groups. Even without names on the manuscripts, surely the judges can determine who wrote what.

Do entrants know these internal chapter dynamics?  Of course, not. That's information not provided outside the contest's inner circle.  Also secret is the number of entries. Is one given the criteria for judge selection. Most likely, not. Are you given information as to what book the judge authored? Likely, not. In some contests you are given a scorecard. If you check the scorecard criteria or divisions, you'll find they are very subjective. As in writing and an individual's reading preference, there's no dispute in this quarter that subjectivity is always present.

The bottom line may be whether or not winning a specific contest leads to greater glory. If the recent news is to be believed, the answer is no. New York publishers look for ways to make money (And, isn't that the same goal as the manuscript contests?) and they recently have been seeking out those
authors who've either gathered thousands of readers or sold their manuscripts by offering them online or through e-books channels.

Yes, this new technology seems to be the way of the future. As each day goes by, the glitter of boosting one to success via a writing contest seems to pale. You may disagree and find that entering a contest is a reasonable substitute for not having to or being able to adhere to your own writing deadline or going out and creating your own critique group. No one can tell you what value there is in your money. That's right and fair. Being in a writing contest winner's circle can be a great rush and this writer has had first hand experience.



Friday, April 19, 2013

Poetry Within Your Novel

There's a not so subtle way for an author to impart a theme to readers of his or her fiction novel. That's to have one of the character's espouse it in poetry. Yeah, right, you say. Control or tamp down your disbelief for one moment. I will try to direct you to the promised land if you're willing to read on. Isn't inviting guilt wonderful?

Okay, a disclaimer to keep the fiction police happy, not every character can be comfortable with or be in contact with poetry. Yet, perhaps the character is a frustrated poet or had to write a poem in one of his or her high school or college classes. Feasible, you bet. If so, (and I bless my hardworking English teacher daily) you can incorporate the created poem into your story.

What if your character didn't attend the conventional school? Then there are several avenues in widely diverse genres to have the thematic poem disclosed to your fiction readers.

Captain Kirk on Star Trek, or your equivalent, can uncover it in a galactic cave. Maybe it just shows up as a hologram from the past. Perhaps it's a clue to a distant surviving culture that commands billions of gallons of fracking natural gas and is ready to crash the world's economy or, if you understand the poem's meaning, fill your vehicle's, and no one else's, gas tank cheap. If that's not compelling, then it could be part of a regular, old-fashioned mystery. Stranger things happen.

Your fictional romantic time traveler can find it tucked in an old trunk Shakespeare discarded on the way to Stratford-on-Avon. If you have a midsummer's night's dream not an accident, there can be a Puck you can count on. Your poem's discovery can be the "to be" of the be or not to be uttered by your Hamlet wannabe.

If your character is a historic saint, say, take mine, he lived as a Gaelic monk in the sixth century.  No, he wasn't St. Patrick who lived a century earlier. Who knows how much poetry my historic saint buried in the Irish caves escaping the Huns? Sorry, they were later and probably on a different continent. Maybe it was Finn McCool who performed the historic deed to save the magic poetic scroll my saint scribbled on whatever fast food scraps of paper then existed? I love that legendary McCool guy. He's such a 21st Century Disney character. Whoops, Disney hasn't put him on celluloid yet next to that famous Tinkerbelle. But okay, thinking harder, it was the thugs from Denmark who threatened my saint. Oh, those Danes, still around centuries later to cause Will Shakespeare dramatic trouble.

If we consider more modern times, didn't Agatha Christie conjure up mystical powers in several of her fictional stories. Perhaps a pale horse chased by Miss Marple? Or didn't Herucle Periot brave the Egyptian sun to find a poem in the tombs, or on an ancient scroll that would serve your purpose? You do the research. I'm just generating ideas.

If there's no historical villain or convenient sleuth, create your own. Remember, you're writing fiction.

Just ponder what the following poem means or says to you or us as readers. It's taken from Chapter Thirty-Four of my novel, A Body To Bones, First Skeleton Series Mystery, said to be written by a small town newspaper publisher. That he might do that would make sense, right? If I'm not the National Poet so be it, I'm, as you will be, hiding behind a created character. The question is does it impart meaning that is understood by the reader, if not critically acclaimed?

Lies will not support the past
False fronts created will not last.
In this world of gloom and woe
In wisdom, faith, and trust we grow.
For all that we carry in our heart
Or that our words will impart,
Memories in our hearts still glow
Showing us paths on which to go.
 
And so, what does that tell us as the readers?
 
Who is lying? What false fronts are created? Does it matter as long as we know it's bad? Perhaps the prior narrative tells us or perhaps we must look at our own past?  Even in a world of gloom, isn't there certain existing values we can count upon to exhibit hope? I'd say yes.
 
If there are trials or discouragements that linger in our hearts, doesn't the heart and the human condition have past glories that will show us the way? Shouldn't we be uplifted in the future that awaits? I'd say, amen.
 
Even if you don't have an answer, doesn't the poetry in fiction add another dimension that no other tool can?  Obviously you can debate me or others. But try it once. If your fiction is enhanced, you get the reward. It couldn't be any sweeter than that.
 


Tuesday, March 13, 2012

Recipe: Irish Soda Bread

When the green-green grass of home appears in March, it's time to check that collection of time-tested family recipes fit for the season. That means soda bread. There are, it seems, as many as spirits in Ireland. (On purpose, the definition of spirits is up to you.)

Heat up your oven to 375 degrees. Here goes:

Irish Soda Bread (Two loaves)

6 cups all-purpose flour (3 white and 3 wheat here. Or 6 white if you prefer.)
2 teaspoons baking soda
2 teaspoons baking powder
3 tablespoons cornstarch
2 teaspoons sugar
1 teaspoon salt
2 1/2 cups buttermilk

(For those who want an option, add a handful of raisins. They're not in the recipe proper for some 19th Century folks used the term "raisins" in a less-than-complimentary way.)

Add all dry ingredients in a large bowl and mix well. If your mother said: "toss, buttermilk on the side" that works, too. Grab a wooden spoon, if not already in hand, pour all buttermilk into the large bowl, and stir. In no time you'll have a soft dough. Let it be rough at the edges. Tumble dough onto smooth surface, like a counter. Knead, counting thousand one, etc, until you reach sixty to one hundred. This kneading designed to make you feel like a baker, using flour-covered hands, and to evenly moisten dry ingredients with buttermilk.

Divide dough in half, round each portion, and, with hand, flatten top slightly.

Place each loaf on ungreased baking sheet and sprinkle flour on top. Not too much. And, oh my goodness, don't use this step as means to dust-off your hands. Pinch a wee dab of flour from the bag.

By the handle only, grab a sharp knife and make the sign of the Cross with slashes on the top of each loaf.

Allow the loaves to rest for ten minutes. This is the juncture in the recipe where the baker can take a wee nip for the hard part is over, if there's a timer at hand.

Bake in the 375 degree oven for forty (40) minutes. Best to use center rack position. Since ovens vary, the loaves are done when golden brown.

Cool on racks. Enjoy. Happy St. Patrick's Day.

Novel, A Body To Bones by Author Donan Berg